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First publication by the Debtors Anonymous 12 Step Fellowship. It describes the basics of the D.A. recovery program and includes 38 success stories of D.A. members. It offers experience, strength, and hope to help other compulsive debtors and all those who want to stop incurring unsecured debt, such as credit cards, unsecured loans, personal loans, unpaid taxes, and more.

• Sales Rank: #86457 in Books
• Published on: 1999-05-15
• Number of items: 1
• Binding: Paperback
• 200 pages

From the Publisher
Debtors Anonymous acts as its own publisher, so the voice of the Fellowship can best explain the purpose, meaning, and message of A Currency of Hope.

The Foreword to A Currency of Hope

We, the men and women of Debtors Anonymous, come together to solve our common problem of compulsive debting. We share our experience, strength, and hope with one another to arrest the disease of debting. We have found compulsive debting to be a painful, confusing, and destructive disorder. Compulsive debting takes many forms from incurring unsecured debt to compulsive shopping, from grandiose thinking to poverty/not enough mentality. All these forms of debting seriously affect our quality of life—financially, emotionally, mentally, spiritually, physically, and socially.

As members of Debtors Anonymous, we have chosen a spiritual path of healing and growth which requires working the “Twelve Steps” and using the “Twelve Tools of DA.” They are the foundation of our recovery process. As a result of beginning this recovery process, we have been able to achieve solvency and prosperity; we are beginning to understand ourselves and form genuine loving connections with others and discover a relationship with a Higher Power of our own choice.

We have created this recovery book to share our Program with other compulsive debtors so that they might understand what we have come to know about debting and experience the relief we have found. The stories we have gathered are a collection of members’ experiences with debting which share: “What it was like for them, What happened, How they changed, and What it is like now…”

We hope that if you identify with some, or all, aspects of compulsive debting, you will join us on the path to recovery and find the peace, joy, love and financial solvency that are here for you.

From the Author
There are 38 authors of this book. All of them tell in their own words how they are recovering from their self-destructive relationship with money and debt through the Twelve Step program of Debtors Anonymous. A few of them speak for themselves:

“The biggest lesson that I learned was that by relying on a Power greater than myself, I could let go of fear. It was the fear that hurt me the most…After ten months,...I realized that my fear had lifted. Money no longer could control how I felt or dictate to me if I was going to appreciate the positive things in my life. Removing the fear of financial insecurity from my life is the greatest gift to me from D.A.” Debt was Hazardous to My Health.

“My debts, the reasons I came to D.A., are slowly coming under control. I have negotiated repayment agreements…, took forbearances on my student loans, and paid off every outstanding parking violation. I have a commitment not to incur any new ones. My personal bank loan was paid up last week. I glowed as I wrote the last check…” The Good Old Days: A Fond Look Back “I am truly grateful for what I have received since coming to D.A. I still have bouts with distressing feelings and self-centered fear, but I have others to help me get out of myself and into life. I have abundance, friends, greater feelings of self-worth and self-love—greater sense of purpose. I have more than enough money for today, and I have myself.” The Escape Artist.

“In a nutshell, I am learning how to be a responsible, productive adult human being for the first time in my life. D.A. is a program of action…This program has shown me that the universe is abundant and that I am worthy of my portion of that abundance. All I have to do is claim it! Lastly and most important, D.A. has reminded me of my visions and dreams for myself.” The Monster Living Inside Me.

From the Inside Flap
The Twelve-Step Fellowship of Debtors Anonymous serves those who suffer from a serious illness—compulsive debting. Compulsive debting is a disease which is expressed through self-destructive patterns of debting, spending, and living. It takes many forms from incurring large amounts of unsecured debt to compulsive shopping.

We, the members of D.A., believe that we can recover from compulsive debting by taking a spiritual path. When we take the Twelve Steps, live the Twelve Traditions, and work the Twelve Tools of D.A., we gain a spiritual experience and achieve solvency and prosperity.

The D.A. Twelve Steps and Twelve Traditions are adapted from the Twelve Steps and Twelve Traditions of Alcoholics Anonymous. We have found that the D.A. recovery program works for compulsive debtors as well as the A.A. program works for alcoholics.

Most helpful customer reviews

10 of 10 people found the following review helpful.
A glimpse of hope and reassurance
By D. Herrmann
Mostly a collection of stories from members of Debtors Anonymous. What I like is how there are many stories that I can relate to. And from those you see that many others have gone through financial trials a tribulations and survived through adoption of DA principles. It's not a reference for how to get out of debting problems, but it provides a sense of hope that there is a way out.

3 of 3 people found the following review helpful.
Excellent!
By Theresa
I really love this book! I would recommend it to anyone in recovery from debting. It has real examples, and personal recovery stories by 38 people. Very inspirational!!!

4 of 4 people found the following review helpful.
A Currency of Hope
By Mary
Received my book in a timely manner. This book has changed my life by giving me hope and help in my financial situation. The stories are so inspiring and relate to my situation. Excellent reading!

Thanks!

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[H551.Ebook] Download Ebook Stochastic Frontier Analysis

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• Published on: 0003-03-11
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• Sales Rank: #8307801 in Books
• Published on: 1988
• Binding: Hardcover

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[Q638.Ebook] Ebook Landscapes: John Berger on Art, by John Berger

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A major new work from the world’s leading writer on art

As leading radical writer on art John Berger celebrates his ninetieth year, he brings a lifetime's engagement with the ideas, artists, and thinkers that have shaped his thinking: Walter Benjamin, Rosa Luxemburg and Bertolt Brecht among them. In Landscapes Berger allows us to see the evolution of his own way of seeing. He explores the relationship between creativity and politics and the revolutionary potential of art through a series of different forms.

As always, in this book, Berger pushes at the limits of art writing, demonstrating beautifully how his painter’s eyes lead him to refer to himself only as a storyteller. A landscape is, to John Berger, like a portrait, an animating, liberating metaphor rather than a rigid definition. Landscapes offers a tour of the history of art, but not as you know it.

Landscapes brings together Berger's most penetrating insights into how we may engage with both art and the artist in society.

• Sales Rank: #26264 in Books
• Published on: 2016-11-01
• Released on: 2016-11-01
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.00" w x 6.30" l, 1.25 pounds
• Binding: Hardcover
• 272 pages

Review
“Berger is a masterful observer, a trait that lends his writing a profound element of artistry: these essays read like sketched studies of an as-yet-painted masterwork … these worldly essays are timeless, inspiring works of critical observation.”
—Kirkus

“Rich, with a broad, pluralistic approach and collaborative ethos.”
—The Art Newspaper

Praise for John Berger:

“John Berger teaches us how to think, how to feel how to stare at things until we see what we thought wasn’t there. But above all, he teaches us how to love in the face of adversity. He is a master.”
—Arundhati Roy, author of The God of Small Things

“I admire and love John Berger’s books … Not since Lawrence has there been a writer who offers such attentiveness to the sensual world with responsiveness to the imperatives of conscience. He is a wonderful artist and thinker.”
—Susan Sontag

“One of the most influential intellectuals of our time.”
—Sean O’Hagan, Observer

“Berger is a writer one demands to know more about … an intriguing and powerful mind and talent.”
—New York Times

About the Author
Storyteller, novelist, essayist, screenwriter, dramatist and critic, John Berger is one of the most internationally influential writers of the last fifty years. His many books include Ways of Seeing, the fiction trilogy Into Their Labours, Here Is Where We Meet, the Booker Prize winning novel G, Hold Everything Dear, the Man Booker–long-listed From A to X and A Seventh Man.

Tom Overton catalogued John Berger’s archive at the British Library. He has curated exhibitions at King’s Cultural Institute, Somerset House and the Whitechapel Gallery, and his writing has been published by the LRB blog, New Statesman, Apollo, White Review, Various Small Fires, Tate, the British Council and others.

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4 of 4 people found the following review helpful.
A collection of autobiographical essays by John Berger describing his lifelong experience with art.
By pixels and bits
This is a collection of essays by John Berger that have been previously published over the duration of his lifetime. It has been collected and edited by Tom Overton, who has cataloged John Berger's archive at the British Library. These essays were chosen to describe Berger's attitudes and relationship with art. Most of the essays are just a few pages long and span his entire lifetime. As a collection, they serve as an autobiographical biography of this influential and prolific writer.

Essentially, this is a message about noticing details and the elements of story and the expression of art. Of being able to describe environment and the story behind it, developing its history. One of my favorites is a short little essay collected in a small chapter called Ten Dispatches about Place. In it he describes the landscape of a group of four burros with so much clarity that it seems like it was painted on canvas. So many of the articles and stories in this collection evoke imagery in this way.

Because Amazon's listing does not note the contents of the collection, I have provided the following as a courtesy to those who may be seeking specific information.:

Part 1: Redrawing the Maps

1. Krakow
2. To Take Paper, to Draw
3. The Basis of All Painting and Sculpture is Drawing
4. Frederick Antal - A Personal Tribute
5. An Address to Danish Worker Actors on the Art of Observation, Translated by Anya Bostock and John Berger
6. Revolutionary Undoing: On Max Raphael's The Demands of Art
7. Antiquarian and Revolutionary: Walter Benjamin
8. The Storyteller
9. Ernst Fischer: A Philosopher and Death
10. Gabriel Garcia Marquez: The Secretary of Death Reads it Back
11. Roland Barthes: Inside the Mask
12. Following on a Joycean Tide
13. A Gift for Rosa Luxemburg
14. The Ideal Critic and the Fighting Critic

Part 2: Terrain

15. The Clarity of the Rennaissance
16. A View of Delft
17. The Dilemma of the Romantics
18. The Victorian Conscience
19. The Moment of Cubism
20. Parade and the Beginning of Surrealism
21. Judgement on Paris
22. Soviet Aesthetic
23. The Biennale
24. Art and Property Now
25. No More Portraits
26. The Historical Function of the Museum
27. The Work of Art
28. 1968/1979 Preface to Permanent Red (1960)
29. Historical Afterword to the Into Their Labours Trilogy
30. The White Bird
31. The Soul and the Operator
32. The Third Week of August, 1991
33. Ten Dispatches about Place (June 2005)
34. Stones (Palestine, June 2003)
35. Meanwhile

Acknowledgements

3 of 3 people found the following review helpful.
Rocky, with some sharp declivities…
By John P. Jones III
I feel quite deficient when looking at paintings. No training in art; no wise mentor who has befriended me. I only have a rudimentary idea of what to consider. And of the varying fields of endeavor, I find art to be the hardest nut to crack on one’s own. Books on electrical wiring, for example, are comprehensible and instructive. Art criticism, on the other hand, is so often pretentious, and deliberately opaque… and there is this nagging suspicion the critic is just putting us on. Berger himself, in his critic of art museum curators, rebukes them for their elitist attitude towards the unwashed masses who view the art displayed. Nonetheless, I keep trying, and so when Vine offered me this collection of essays, I decided to try one more time.

John Berger was born 1926, and won the Booker Prize in 1972 for Ways of Seeing: Based on the BBC Television Series. This is a collection of 36 essays, described by editor Tom Overton as: “…offer(ing) a tour of the history of art, but not as you know it.” Which may be a major understatement. It seemed to me that around 10 essays had absolutely nothing to do with art, “as I know it,” but rather involved the fall of the Berlin Wall, the subsequent transformations in Eastern Europe, the stones of Palestine, and a theory of the peasant class, to name a few. The lead essay involves the author’s youthful relationship with a New Zealander, Ken, and their involvement with Krakow, Poland. “On Art” as the subtitle indicates? Hum! Absolutely the most frustrating part for me was the absence of a date indicating when the essay was written. They seemed to have been grabbed from a bottom drawer, willy-nilly. In one essay, Berger says that the peasant “class” will no longer exist in Europe in 25 years. But 25 years from when? In reading another essay, it was apparent that it was written in 1960, yet others appear to have been written within the last few years.

Berger is a Marxist, as he proclaims in the essay, “Ten Dispatches about Place,” for the 10th dispatch is a single sentence: “Yes, I’m still amongst other things a Marxist.” Again, at what date, or is it now? Of course, the reader might have derived this information on their own from the essay “Historical Afterword Into Their Labours Trilogy” from such sentences as: “Peasant conservatism, within the context of peasant experience, has nothing in common with the conservatism of a privileged ruling class or the conservatism of a sycophantic petty-bourgeoisie.” Art history and theory seems to be difficult enough on its own, but when viewed through a “Marxist dialectic,” well…

With all that said, there are some good individual essays on notables in the field. These include Frederick Antal, Max Raphael, Walter Benjamin, Ernest Fischer, and Rosa Luxemburg. This series reminded me of Clive James Cultural Amnesia: Necessary Memories from History and the Arts. One of the longer essays concerned Cubism, and its connection with other scientific and technological advances before the First World War. His most scathing criticism is reserved for art museum curators who he describes: “…but as a professional group their character is patronizing, snobbish, and lazy… (they have) the notion that they have been asked to accept as a grave civic responsibility the prestige accruing from the ownership of the works under their roof.”

I too share many of his concerns about consumerism, and the impact of megabucks searching for unique “prestige” in ownership of art. And I admire his decision to live in a small village in Haute Savoie, and write an essay on their artwork produced in the winter, described in the essay “The White Bird.” Overall, for this eclectic collection of essays on the human condition, of which art is one subset, 3-stars.

3 of 3 people found the following review helpful.
"Landscapes" is a metapor--This is a book of John Berger's essays, a "landscape" of his life & ideas about writing, art & more
By Elisa 20
(Review based on paperback ARC not the hardback--no way to evaluate price of HB or final appearance as a result)

I ordered this without any familiarity with John Berger. I saw he was described as a Marxist art critic and that he'd written several other books about art, including the similarly named "Portraits". That book, apparently is a look at the history of art with some inspiration for the journey coming from portraits. Unfortunately, reading about it, I was dismayed that the portraits were not actually shown in the book, other than as small black and white reproductions. I thought, "If a book about art history through landscape painting doesn't show the actual colors, etc. to get an idea of the original, I will be very dissatisfied with the book." How can you write about the history of art through landscape painting and not show the paintings? Imo, really, you shouldn't do that.

So when this copy came--6x9", small format to show paintings--I was relieved to see there are NO paintings reproduced in here, not as black and white photos or otherwise. This is a collection of essay, a "landscape" of Berger's thoughts on his life, people, ideas that have influenced him, writing/authors he liked and disliked and, of course, art. (I don't understand the reviewer who said it combines drawings and text. Believe me, there are essays here, and not drawings. It's a book of essays, with thoughts about many things, many aspects of art both written and visual--but there are no pictures and it would seem very odd if there were.)

I began, dutifully, with the introduction by Tom Overton. It prepared me for a book of criticism and was not an easy read. It reminded me how many years its been since I read much literary criticism. (It also reminded me that I haven't missed it.) I prepared myself for Berger's work to be more of the same.

Surprise! From the first words of his first chapter, I had a pleasant surprise--John Berger's a good writer who uses fiction techniques (including a narrative, anecdotes, vivid descriptions, characterization) in his essays. It turns out that Berger was a painter and writer until he was thirty and, in the years that followed, concentrated on writing--both fiction and non-fiction, in the latter becoming particularly well known as a critic. Don't be put off by the introduction by someone else. Berger himself is a very good writer.

These essays are interesting, scattershot through the years now collected together here, rather than being written as chapters to develop a topic or theme for a cohesively-themed book. I liked this actually, because it offered variety in both topic and tone. It's kind of a landscape--bits and pieces of different things to observe whether important people (good and bad) influencing his life (e.g. an important childhood friend, his overbearing father, a friend's suicide). He spends time with writers who influenced him (Joyce, Barthes, Marquez and others) and how, though always in a kind of "I'm telling you a story" narrative rather than a preachy one. A lot is about literature, but he writes about art and artists, too (Picasso & Braque, some from the Renaissance, the Romantics, others). Also travels and people he has met in the course of them.

As a photographer, I enjoyed the chapter "No More Portraits". To my surprise, I also enjoyed some of the quirky essay topics like "The Historical Function of the Museum". It sounds dry, but he took on the modern curators in a way that will antagonize them (but was fun to read--and may even be true). There's a lot to get out of this book that may send you looking up more about a person or topic (Rosa Luxemburg, Walter Benjamin, Berthold Brecht. He identifies himself as a Marxist but has many critical reflections on Soviet art--not a cliché.)

All in all, a well written collection of essays that could propel any interested person in a variety of directions as a result of the reading..

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THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION

• Sales Rank: #2639264 in Books
• Brand: Brand: Harvard University Press
• Published on: 1964-01-01
• Original language: English
• Number of items: 1
• Dimensions: 1.13" h x 6.41" w x 9.55" l,
• Binding: Hardcover
• 377 pages

Features

• Used Book in Good Condition

Review

Reviews of the first edition:
Simply to chronicle the highly complicated sequence of events in the ethnic borderlands of Russia during the tumultuous years between 1917 and 1923 is a difficult problem by itself. Richard Pipes has not only accomplished this task…but he has given this complex story meaning and perspective.

(Political Science Quarterly)

The most lucid description of the nationalist revolutionary upheavals following the October revolution. (International Journal)

Pipes has succeeded remarkably well in elucidating a most complex subject and in giving a systematic, well-documented, and well-written account of the stormy years, 1917–1923. (Russian Review)

From the Back Cover
Here is the history of the disintegration of the Russian Empire, and the emergence, on its ruins, of a multinational Communist state. In this revealing account, Richard Pipes tells how the Communists exploited the new nationalism of the peoples of the Ukraine, Belorussia, the Caucasus, Central Asia, and the Volga-Ural area - first to seize power and then to expand into the borderlands.

About the Author
Richard Pipes is Frank B. Baird, Jr., Professor of History, Emeritus, Harvard University.

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• Published on: 2013-01-23
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• Sales Rank: #2938032 in Books
• Published on: 2013-03-20
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .44" w x 8.00" l, .86 pounds
• Binding: Paperback
• 192 pages

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0 of 0 people found the following review helpful.
Police Radar Technology Specs
By steve1952
Book is very technical and fairly useless as a resource for fighting a speeding ticket. OK if you are an engineer, but not easy to follow for the average human! You can find most of the same information online for free.

0 of 0 people found the following review helpful.
Good book but could use some updating.
By Alvin L.
Good technical overview of radar but a bit dated. Worth the $ to get a handle on limitations, etc.

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